RUFUS WONDER & DAVE McCLELLAN AT THE 2014 HAL AWARDS HOLLYWOOD
True Vibe Records
Affiliated Artists Rufus Wonder, left, and Dave McClellan
show their presence at the 2014 HAL AWARDS.
The Mary Jane Girls are
surrounded by reporters at the festive event.
Busy reporter takes a break from interviewing R&B legends such as
Motown founder and former President Berry Gordy, New Edition, Take 6, Eddie Floyd,
Dennis Edwards, Freda Payne, Martha Reeves, Mary Wilson,
and more who attended.
Rufus Wonder discusses show biz with other
Take 6 gets ready to "tear the house down"
with their spectacular harmony.
Dave McClellan, right, entertains an
Ray Parker, Jr., left, congratulates a
HAL Scholarship Award recipient.
Take 6 sings for their favorite reporter at the event.
Rufus Wonder, left, and Dennis Edwards reminisce about their
earlier music career days in Detroit.
Current Motown President Ethiopia Habtemariam, left, shows off her trophy to Dave McClellan,
sharing her excitement about winning the 2014 HAL Triumph Award.
Two attendees enjoy the festivities.
Warner Brothers/ Chappell Music Publishing Company
Vice President Ryan Press, center, fields questions from reporters.
Current Motown President
Ethiopia Habtemariam, left, shares a moment with
Actor-Film Producer Leon Isaac Kennedy.
Original Supremes member
Mary Wilson, left, enjoys a moment of night life with
Bay Area Artists
From the Bottom Up
True Vibe Records, based in Oakland, California, will stay true to its promise of compelling, dynamic music along with an important message of positivity, healing, and upward mobility for the young and underserved on
Friday, January 20th, 2023 with the new release of its latest 12-track album titled From the Bottom Up, which is also the title of the first two tracks. Producer Bill Jackson aka “BJ” explains that “this time around, we’re releasing a Hip-Hop lyrical version and a
Jazz instrumental version of the same song—and both versions represent our
label’s Socially-Conscious Multi-Genre (SCMG) music aka Jazz Funk Hip HoPoetry
(JFHP), as Paradise the Poet coined it.”
Oakland native and Bay Area hip hop star DLabrie the E.O.G. (East Oakland's Greatest), a.k.a. “Mr. Network,” a representative of Hip-Hop Congress who often tours the U.S. and Asia, shows his poetic genius as lead vocalist of this song’s lyrical version as he uses a series of metaphors to describe challenges that many young people need to work through to achieve a better quality of life.
Powerhouse tenor saxophonist and reed virtuoso John Patrick Douglas makes his horn an exhilarating extension of human emotion that words cannot describe on
this song’s instrumental version. His soulful melodies lift the spirit of his listeners.
To his credit, he feels comfortable doing his thing in many musical genres, such as
Funk, Pop, Dance, Big Band Jazz, Small Ensemble Jazz, Brazilian, Afro-Caribbean,
and Classical music. He has played with many reputable musicians, including
Rene Escovedo of Oakland’s celebrated Escovedo family (which includes Pete and
his famous daughter Sheila E.). He often steps up as a band leader too.
“BJ,” up and coming pop singer Wakane Luke (who has sung the national anthem at a Golden State Warriors game), classic soul vocalist Rufus Wonder, and versatile vocalist/ stage play performer/ stage director Tanika Baptiste sing background vocals on both versions of this lead track.
Other tracks include: a new remix of Paradise the Poet’s spellbinding
“How to Be a Black Man in America,” featuring rappers Kasa Nova and Mack Mar; Paradise’s timely spoken word piece (relevant to the Crown Act) “It’s OK to Be a Black Girl” featuring Ben Ball adding flavor on alto sax; “BJ’s”“Woke, Leery” featuring DLabrie, keyboard artist Ben Ball, guitarist Wally McClellan (also the engineer) while percussionist extraordinaire Bill Norwood plays congas; Latina hip hop artist Kalizay’s“Mucha Alegria” with pop singer Xavier Toscano engaging in a romantic Spanish dialogue with her and veteran trumpeter Cayce Carnahan soloing at the end. This album also brings back hip hop veteran DLabrie again, taking us to the underworld of stigmatized hardcore addictions on “He-Done-Ism,” and the soulful Brianii Savage is featured as a lead singer.
“Afro-Cuban Sax Brothers” is a nostalgic Latin Jazz instrumental with Ben Ball exciting listeners on alto sax, soprano sax, and piano while the awesome Dave Ellis lights things up on tenor sax, and distinguished percussionist Bill Norwood on congas; “Uncle Sam’s Goin’ Broke” is guided by classic soul vocalist Rufus Wonder with alto sax man Ben Ball and trumpet master Cayce Carnahan playing some impressive solos.
“Give It All U Got!” is a dazzling high-energy Latin Jazz track showcasing Brianii Savage and “BJ” singing lead, Kalizay spittin’ bilingual hip hop lyrics in English and Spanish, and Paradise the Poet closing things out with outstanding spoken word; then guaranteed to raise your spirits, “BJ” closes the album out with his upbeat danceable holiday jam featuring tenor sax master John Patrick Douglas lighting this track up as well as up and coming female conscious hip hop artist Yazameen adding lots of spice on “Christmas Cheer is Here Again.”
Professional recording studio The Wally Sound is once again at its best to bring this project to peak quality, as veteran engineer Wally McClellan recorded, edited, mixed, and mastered all of the album tracks. The multi-talented and highly gifted graphic artist Aidan O’Flynn designed this brilliant album cover, adding a visual dimension that is thought-provoking for True Vibe Records fans.
To the Flow—the Single
This fun and brand new version of the album's title track, "To the Flow," the Single, pumps up the hype and puts a positive spin on underserved Black and Brown communities featuring Bay Area hip hop star D Labrie the E.O.G. (East Oakland's Greatest, who recently toured Japan and South Korea) AKA “Mr. Network.” This upbeat conscious hip hop song celebrates Oakland in particular, and the Greater San Francisco Bay Area in general. Over the catchy jazz funk beat, he tells a story about Oakland's vibrant people enjoying fun times, Oaklanders working hard and playing hard, but also feeling empowered to stand up for social justice. In addition, D Labrie gives listeners a snapshot into the life of an upcoming conscious hip hop artist and pays tribute to Bay Area sports teams—especially those which have won championships during the 2010s decade. Listeners can dig two slammin’ solos by powerhouse tenor saxophonist John Patrick Douglas.
This version of the song is bolstered by Jimmy Mack & The Legendary Mighty O'Town Passions singing group, which began as a Doo-Wop group at West Oakland’s renowned McClymonds High School back in the late 60s. Talented vocalists Caley Kenny, Vendetta Jeanjacques, and Bill Jackson also sing background.
The lead track is followed by a diverse group of talented artists on six hip-sounding "edu-tainment" bonus tracks. Bonus tracks include "He-done-Ism" by D Labrie, "Mucha Alegria"—Short Version Remix by Kalizay, the smooth Latin Jazz instrumental "Master Peace"—Remix by John Patrick Douglas, dynamic conscious spoken word pieces "Ain't Yo' Mama Black" by Paradise the Poet and "Let's Take a Ride" by Big Dan, as well as the hot Afro-Cuban/ Latin Jazz and Funk joint "Give It All U Got" with lead vocals by Brianni Savage, Bill Jackson, Kalizay, and Paradise the Poet. This is another project among a series featuring a music genre called Jazz Funk Hip HoPoetry (a term coined by Paradise the Poet). The album producer is Bill Jackson, the label is True Vibe Records, recording and engineering was done by The Wally Sound, and the colorful, captivating CD cover was designed by Aidan O’Flynn.
Oakland-based True Vibe Records promises to excite listeners with the release of its new album titled JFHP-5 Generations. As the title suggests, this project showcases a diverse collective of San Francisco Bay Area conscious hip hop and spoken word artists, vocalists, and musicians who span five decades in age—bridging the generation gap.
According to TVR producer/owner Bill Jackson, this marks the fifth in a series of albums pioneering a musical genre called Jazz Funk Hip HoPoetry, a term coined by Bay Area poet/spoken word legend Paradise (AKA Richard Moore). On this album, you can hear the influence of Common, Mos Def, Brand New Heavies, Gil Scott-Heron, Eryka Badu, to name a few. This ambitious project brings masterful fusion of Conscious Hip Hop, R & B, Jazz Funk, Spoken Word, Latin, and Blues.
This album kicks off festive vibes, putting a positive spin on underserved Black and Brown communities with its lead track featuring veteran Bay Area hip hop star D Labrie the E.O.G. (East Oakland’s Greatest) AKA “Mr. Network” on a new remix of “To the Flow,” an upbeat conscious hip hop song celebrating Oakland in particular, and the San Francisco Bay Area in general. Over the jazz funk beat, he tells a story about vibrant people enjoying fun times and makes sure folks know that Oaklanders, who work hard and play hard, also feel empowered to stand up for social justice.
In addition, D Labrie gives a snapshot into the life of an upcoming conscious hip hop artist and pays tribute to Bay Area sports teams—especially those which have won championships this decade. Listeners get a special treat when they dig two slammin’ solos by powerhouse tenor saxophonist John Patrick Douglas. Talented vocalists Caley Kenny, Vendetta Jeanjacques, and Bill Jackson sing background.
The second track, “I Love Everything About You, But You,” is a remixed version of spoken word icon Paradise’s provocative signature piece, which he has performed on BET (Black Entertainment Television). He sings, raps, and delivers spoken word with comedic wit and political satire on this social protest song to criticize America’s White power structure and its exploitation of African people, their talents, valuable assets, world contributions, and the way this power structure continually refuses to accept Black people collectively as first-class citizens in the USA. Progressive-minded listeners will love both the short and long versions of this controversial and thought-provoking song.
Noted Bay Area rapper-producer Naru contends that, “this is one of the best songs ever written!”
KPFA Radio’s Greg Bridges (in Berkeley) calls it, “the New International Black Anthem!”
Percussionist extraordinaire Babatunde Lea asserts that, “it’s the Song of the Century!”
Legendary Chuck D of Public Enemy fame chimes in, “that says it all!”
Bay Area femcee Beastella proclaims, “Paradise has forever been dope!”
“Master Peace” (Remix) treats listeners to the smooth, melodic stylings of veteran tenor saxophonist John Patrick Douglas. During this mellow Latin Jazz gem, you can hear the melodies, styles, and rhythms reminiscent of late musicians Wes Montgomery, Stan Getz, Mongo Santamaria, and the still vibrant Poncho Sanchez. John Patrick Douglas is a distinguished bandleader who has played with many and various groups, including the Afrofunk Experience, Groove Doctors, and Rene Escovedo (of the famous Bay Area Escovedo family, which includes Rene’s Uncle Pete and Cousin Sheila E).
The fourth track, “He-Done-Ism,” takes you to the sinister underworld of hard-core drinking, drugging, pornography, prostitution, and gambling. Once again D Labrie runs it down, telling a story about people caught up in self-destructive situations before seeing the light and finding peace of mind in recovery from addictions. D Labrie, who often tours the U.S. and abroad (including South Korea), is a representative of Hip Hop Congress, a politically active non-profit organization very influential with young people.
Female hip hop artist Kalizay, originally from El Salvador, is featured on the fifth track with her sultry “Mucha Alegria” (Short Version Remix), a jam that takes you on a mellow Latin groove describing fun times in Chicano culture. This song also pays a brief tribute to Mexican-American heroes such as Delores Huerta, Cesar Chavez, and Stanford University Heisman Trophy winner and former star Oakland Raider Super Bowl MVP quarterback Jim Plunkett.
Other tracks include: “Afro-Cuban Sax Brothers” featuring Ben Ball on alto sax and piano, Dave Ellis on tenor sax, and Bill Norwood on percussion; “Ain’t Yo’ Mama Black” featuring Paradise at his best rendering spoken word; “Bold and Beautiful” featuring songstress extraordinaire Shavone Pickett, premiere Bay Area hip hop diva Keldamuzik, and virtuoso alto and soprano saxophonist Ben Ball; “The Chili Is Hot” featuring Ben Ball on alto sax and keyboard; “Give It All U Got!” featuring lead vocalists Brianii Savage and Bill Jackson, Spanish and English hip hop by Kalizay, spoken word by Paradise; and an uptempo version of Charles Brown’s classic song “Merry Christmas Baby,” featuring the incredible classic soul vocalist Rufus Wonder.
Professional recording studio The Wally Sound raised this project to peak quality as veteran engineer Wally McClellan recorded, edited, mixed, and mastered the album tracks. The artistically-gifted Aidan O’Flynn illustrated the impressive portraits of artists on the album front cover and designed the rest of the graphics.
For more information, visit the True Vibe Records website at www.trueviberecords.com
Ben Ball- Piano/Alto
Kalizay-Bilingual MC -Hip
D LaBrie -Hip Hop
John Patrick Douglas
Congratulations! You Broke the Top 3!
True Vibe Records Affiliated Artists are one of the Top 3 Bands on the ReverbNation Charts.
Well done! Thank your friends and fans — they helped you get there.
Vibe Records, founded in Oakland,
recently stepped up its game by releasing its newest and hottest album
yet, titled ¡Mucho Mas! Jazz Funk Hip
HoPoetry. Song tracks have trace elements of Mongo Santamaria, Tito Puente, Brand New Heavies,
Public Enemy, Gil Scott-Heron, Erykah Badu, Mos Def, James Brown, Ohio Players,
Tower of Power, and Carlos Santana. And these thought-provoking songs
create a festive mood that uplifts listeners as they inspire them to dance,
reflect, and take action to affect personal and social change.
This is the fourth in a
series of CDs, following the highly acclaimed
Paradise Presents Jazz
Funk Hip HoPoetry, Jazz Funk Hip HoPoetry—Phaze 2,
and Give It All U Got!
The title of this 14-track project hints that many of these original songs
have a Latin influence,
along with fusion of
Jazz Funk, R&B, Conscious Hip Hop,
and Spoken Word. Jazz Funk Hip HoPoetryhas developed immensely as
a new genre of music since its inception when producer
Bill Jackson recruited
Bay Area poet laureate/ slam poetry icon/
spoken wordartist Paradise
to collaborate. Paradise
coined the name of this music.
A diverse line up of topflightGreater San Francisco Bay Area
vocalists, musicians, conscious hip hop and spoken word artists were
recruited to contribute their musical gifts to this album. They came
fromOakland, San Francisco, Berkeley,
Richmond, Novato, San
Leandro, Hayward, Fremont, Danville, San Jose,
with their creative juices overflowing with talent.
The album’s opening track, titled
“Give It All U Got!” is a brand new
version of this trail blazing cut that thrills listeners with its dazzling mix of Afro-Cuban/ Latin
Jazz, R&B, Funk, Conscious Hip Hop, and Spoken Word.
Brooklyn, New York
Brianii Savage (of Puerto Rican/
African American/ Jewish ethnicity, now a Bay Area resident) leads a dynamic
call and response opening to this upbeat song, inspiring people to live life
to the max. Lovely and talented vocalists April Dawn, Denice Carrasco,
and Yolanda Davis
pave the way for lead vocalist Bill
to take this groove to new heights, while master percussionist Bill Norwood (who in recent years has played drums with Robin Duhe, former bass player with Frankie Beverly and Maze) is the driving force. Red hot Salvadorian MC Kalizay’s
exotic hip hop flow in both Spanish
inspires fans to reach their dreams. Speaking to the Latino community, she
“my brothers for breakin’ the cycle of
stereotypin’.” Then Bay Area
spoken word legend Paradise
keeps the party going celebrating diversity with his lofty visions a
multi-ethnic “cultural world fair in
Oakland,” a “United
States of Africa,” and
as a common language to be a key to economic growth for Black people
worldwide of theAfrican Diaspora.
Master trumpeter John Halbleib
(who’s played with the likes of Pete
Escovedo, Sheila E., Larry Graham, Aaron Neville,
and Roberta Flack)
ignites fans with a raw solo and anchors the brass throughout the song while Ben Ball, whose saxophone brilliance can also be
heard, rocks near the end with his exhilarating piano solo.
Ben Ball has performed with jazz immortal Donald Byrd, Bay Area jazz luminaries Ed Kelly, Charles Hamilton, Bill Bell, and a New York City-based African funk band called
Ibrahim World Beat.
The second track, "He-Done-Ism,"
takes you to a dark place of addiction in the sinister underworld of
hardcore drinking, drugging, pornography, prostitution, and gambling.
Background vocals by singers Brianii Savage, April Dawn, Denice Carrasco,
and Yolanda Davis
kick it off with a chorus steeped in soul followed by the dreamy chant “I
wanna feel goooood.” Then without being overly preachy or moralistic, Bay
Area hip hop star D Labrie
the “EOG” (East Oakland’s Greatest)
takes charge and runs it down, telling a story about self-destructive
situations before seeing the light and finding peace of mind in recovery
from addictions. D Labrie (who has toured the U.S. and abroad), also known in Bay Area show biz as “Mr.
Network,” is a representative
of Hip Hop Congress,
a non-profit organization very influential with young people.
is featured on the third track with her sultry
“Mucha Alegria,” a jam that takes
you on a mellow ride describing fun times in Chicano culture.
She lures listeners and conveys subtle messages in English
and Spanish about honesty and personal integrity in
relationships, assuring that “I never lie to my sisters or the opposite
sex.” This song also pays a brief tribute to Mexican-Americanheroes such as farm labor leaders
Delores Huerta, Cesar Chavez, and Stanford
University Heisman Trophy
winner/ former star
Oakland Raider Super Bowl MVP quarterback Jim
The gifted, charming Chayla
Gibson-Smith sets the tone for this
mellow groove with her soothing vocals in the opening.
Kalizay and up and coming pop
singer Xavier Toscano
render sizzling hot romantic monologues in Spanish
before trumpet pro Cayce Carnahan
(a Cal State East Bay-trained music educator) tops it off with a captivating
Latin-style part muted and part un-muted trumpet solo at the end. The album
includes two versions of this song: an extended version and a radio edit
The classy Latin Jazz
cut, and only instrumental on the album, titled “Afro-Cuban Sax Brothers”
features gifted tenor saxophonist Dave Ellis and master musician Ben Ball
playing brilliant solos on alto sax, piano, and soprano sax respectively. Dave Ellis
raises the excitement with a rich tenor sax solo, followed by his
spellbinding tenor sax voice over the backdrop of vibrant background horns. Producer Bill Jackson
composed this piece as a tribute to saxophone players Ben Ball, Dave Ellis
(who’ve known each other since elementary school in Berkeley), and Melvin Bell
(also affectionately called “Mellow,”
originally from Denver, Colorado), who are all former classmates and
graduates of the prestigious Berklee College of Music in
Distinguished percussionist Bill
Norwood once again assumes the role
of the driving force behind this piece, which is reminiscent of many classic
Latin Jazz tracks using strings and background horns. Not only is this song
is great for listening, but it also makes you want to get up out of your
seat and dance.
Get ready to rock with veteran classic soul vocalist Rufus Wonder
leading a cadre of many artists in a call to action on “Uncle Sam’s Goin’Broke.”
Over Ben Ball’s
commanding alto saxophone voice, the hard-driving beat, blues/ rock-style
guitar and bass, this social protest song (written in 2011 during the peak
of the Occupy Movement) reveals snippets of our challenging U.S. economy,
erosion of the middle class, a society of "haves" and "have nots"
growing apart, with increasing gentrification in major cities and
slight economic gains in 2014 primarily benefiting the rich. Like “Mucha
this song also has an extended version and a radio
edit version (the fifth track).
In the extended version (the final track), the tension lightens as a series of brief
humorous monologues by
Bill Jackson, the late distinctive
Dave McClellan add comic relief. Bay Area spoken word legend
Paradise shares some pearls of
wisdom and a provocative Afro-Centric message of hope, healing, and
inspiration at the end, advising African Americans (who now have a higher
poverty rate than during
President Johnson's "War on Poverty"in the 1960s, according to USA Weekend
magazine) to "Occupy Black Wall Street!" The collective voices of
Rufus Wonder, Brianii Savage, Bill Jackson, Denise Carrasco, Rick Alexander,
April Dawn, Dave McClellan, Yolanda Davis
along with masterful solos by trumpet boss
Cayce Carnahan, alto saxophone boss
spoken word make this track a classic.
Elegant songstress extraordinaire
Shavone Pickett, premiere Bay Area
hip hop diva Keldamuzik (who in recent years has toured the Caribbean and Japan),
and virtuoso alto and soprano sax man Ben Ball
are featured on “Bold and Beautiful,”
a tribute to strong and beautiful women in general and strong and beautiful
black women in particular. The late
Tina Floyd sets the stage for this
piece with her engaging background vocals. This album showcases a new
version of this original song, which represents a model for fusing
and Conscious Hip Hop. Lyrics were written
by Shavone Pickett
the music composed by Bill Jackson,
and Bill Norwood
Other outstanding tracks on this album include spoken word pieces (the
“Connections” by spoken word artist/ vocalist Raquel Ramsey
(friend, high school and college classmate of Ben Ball,
who plays tenor sax on this one),
“Cocoa Venus” and “Ain’t Yo’ Mama Black”
by Paradise, “Let’s Take a Ride”
by Chicano spoken word/ conscious hip hop artist Big Dan, “Social Emergency”
by gifted Chicana spoken word artist
Alejandra Mojica, and “Playaz Blues”
featuring vocalist Rufus Wonder,
hip hop artists D Labrie
with Chayla Gibson-Smith
and Rick Alexander
adding humorous monologues in the mix. This song is a musical parody about
the life of an aging player.
The earlier mentioned “Let’s Take a
Ride” represents dynamic spoken
word at its best and is partially an autobiographical piece about the early troubled life of Big Dan (a motivational speaker who has also performed as a hip hop artist around the U.S. and abroad) living in the barrios and ghettos of
before turning his life around to graduate from the distinguished
University of California at Berkeley.
Special recognition goes to professional recording studio engineer “Smilin’ James” Heyser,
who did a monumental job of recording, mixing, and mastering the tracks.
Special commendation also goes to talented graphic artists
Veronica Leon and Earl Bickham, Jr.,
who designed the artwork for the album.
For more information about Rufus
Ben Ball, click here on the
page. For more information about Paradise,
click here on theJFHP
page. For more information about
Shavone Pickett and Keldamuzik,
click here on the
In 2008, True Vibe
Records released Jazz Funk Hip HoPoetry-Phaze 2, the follow up to the
highly-acclaimed CD Paradise Presents Jazz Funk Hip
The Phaze 2
release, a CD double set
,was the debut for Oakland Ca.-based spoken word/hip hop
group Sounds Of
Urban Life Soldiers or S.O.U.L.S., as the acronym
is spelled and their bulging fan base refers to them as. The
group members and song writers are poets Raquel Ramsey,
Keith Thompson, and President L. Davis, rap and hip hop
artist Keldamuzik and songstress Shavone Pickett. Together, they have a very
unique and diverse blend.
True Vibe Records
owner and producer Bill Jackson regarding Phaze 2 he says, “as the genesis of the first CD was my
pilgrimage to Senegal’s Goree Island (a United Nations
historical site in West Africa which was a holding pen for
slaves), this music was born from the compelling social concerns
that continue in America and is musically upbeat funk with jazz,
hip hop, R&B and Caribbean influences.”
The lead single Squash It! featuring
guests D Labrie and Rufus Wonder certainly supports the concept of “social concerns” as it
addresses the grave problem of violence in America’s urban
cities, and from early indications this seems to be the song
that radio will embrace and help Squash It! be a
part of the solution! Following that theme is On The
Street, outlining the conditions and perils in some of
our urban communities.
There are lighter
more playful moments on the CD as with All The Above
that again features Keldamuzik at the mic running
down a love and relationship theme. Then there is the
Caribbean-flavored I Can with vocalist Shavone Pickett delivering a very tender vocal with an
almost dancehall track. Associate Producer Jam
G "JR" Tall intensifies the groove with his lead guitar riffs.
(He also was the chief sound engineer for this album.)
The jazz lover isn’t
forgotten here with contemporary tracks like The Man
Upstairs with its hip hop /trip hop feeling and a
scorching tenor sax lead from guest artist Ben Ball and the pulsating drum work from
Hart, son the legendary drummer Billy Hart, and on What Kind Of Dreams Have You which features guests such as the smooth-talking
percussionist/spoken word artist Bill Norwood, renowned guitarist Calvin
Keys, pianist extraordinaire Michael “Spiderman”
Robinson, tenor sax man Ben Ball again, and veteran drummer
Wainwright. This is a track
that swings with the best of them!
All three poets are
full of fire and earth moving emotion here addressing issues
such as fatherhood with the piece The Role of Men by
Keith Thompson and coming of age with Rites of Passage by
President L. Davis, while Raquel Ramsey delivers supremely and
passionately with a piece titled Connections and
again on the exalting Apology, a duet with bassist
Nelson Braxton (Braxton Brothers). There is
more contemporary conscious-raising spoken word from the three
poets of Sound Of Urban Life Soldiers on other
tracks as well.
This album also
showcases the talents of a host of highly-talented
and dynamic guest spoken word artists such as Roxanne
Hanna-Ware and poets Big Dan and Alejandra Mojica running down a Latino perspective.
Jazz Funk Hip HoPoetry- Phaze 2
is a well-balanced,
well-crafted, and cleverly-written collection of urban life
experiences and feelings delivered with the often pulsating
bass line that locks everything in place and drives it home.